Final layout work on the Art Of Japanese Singles title is now going on. At last. The layout will feature four main sleeves per page, along with one or two smaller back-up sleeves for comparison in with the accompanying text. I must say dong the work has rekindled my own interest in the genre and I’ve not been able to resist picking up a few more covers along the way. I even found a couple on Oxfam in Huddersfield the other week at an affordable price (very unlike Oxfam! They’ve had a couple of Tracey Thorn 12″ singles in our local shop for a tenner each since last year, and they’re now getting so dog-eared even if they do drop the price to a sensible level they’ll be too scuffed to buy). There was always something very exotic about these Japanese sleeves which made them a must for collectors. I can’t be the only one who remembers trips to the legendary Flyover Records at Hammersmith to gaze at the racks full of these imports.
The book is being put together using InDesign – as a graduate of the Pagemaker school I was pushed towards this at an early stage (Adobe make great software but treat their loyal customers really badly at times) – and never got on with Quark at all. I’ve always found InDesign very stable and flexible for handling multi-page projects like this which contain a lot of linked images – 1,000 or more of them in this case.
It’s also been quite a logistical challenge just naming the files. Macs give you a lot of freedom to name image files how you like but in this case all the source archive material was carefully filed in music genres. Each genre section was given a number, and each page a number within that section, then every sleeve a number on that page. So I decided with the scanning work to reference each image using those original numbers rather than try to use artist and title. I also had to organise the scanning work precisely.
To this end I generated a sample page layout with blank boxes, printed a couple of hundred out and worked through these writing in image reference numbers, rearranging and shuffling them about, swopping images etc., until the final book worked. This then provided an exact guide for scanning. It’s almost the reverse of how Covered book was done, where we had several thousand scans to juggle. As most of this initial layout stage was done some time back it’s been a case of spending a few days refamiliarising myself with the material. I must admit there was a couple of hours of growing panic when two whole sections seemed to be missing but happily it turned out they were in with the others, and had just lost their sticky notes, so frantic scouring of the office shelves could cease!
For now, I’ll add another trio of groovy examples and then get back down to work.